A journalist challenges Edgar Allan Poe on the authenticity of his stories, which leads to him accepting a bet from Lord Blackwood to spend the night in a haunted castle on All Soul's Eve. Ghosts of the murdered inhabitants appear to ...
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Na sequência dois filmes do artesão de películas Antonio Margheriti, Danza Macabre/Castle of Blood (1963) e I Lunghi Capelli della Morte/The Long Hair of Death (1964). Em Castle of Blood, a atriz interpreta um fantasma amaldiçoado a ...
кастинг в роли Алана Фостера Anthony Franciosa в роли Элизабет Michele Mercier и бОльший бюджет фильм оказался провальным и абсолютно не сработал в чем по версии Маргерити в числе прочего была виновата цветная
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решения Плохое откровенно натянутая история дешевые и совсем не страшные пугалки театральное переигрывание некоторых актеров и общая неубедительность их поступков и реакций Если просуммировать
Дата написания рецензии 05 10 2006 | Комментарии 0 Памятные цитаты нет Дополнительные скриншоты
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You add that Castle of Blood is "impressive as an object lesson in cinema. It stages the longing for diversion, the viewer's estrangement from the present, and the disillusionment that comes when the diversion is no longer diverting." ...
Directed by Bava protege/rival Antonio Margheriti (aka: Anthony Dawson) the yarn is unique and compelling, but the atmospheric dark & white cinematography is actually the star of the recount. Sadly, the English dubbing is not very … ...
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Guillén: You've tantalizingly touched upon this in your review of Antonio Margheriti's Castle of Blood (Danza macabra, 1964), wherein you've stated: "What happens when a film entertains us? Perhaps by being entertained we fulfill a ...
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Highlights include Yor- The Hunter From The Future, Cannibal Apocalypse, Seven Deaths in the Cat's Eye and Castle of Blood. The latter is important to speak for today's review. Blood was made in 1964 and features a really, ...
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Чтобы иметь максимальную свободу монтажа иногда Антонио использовал до семи камер одновременно что однако порождало кучу проблем для актеров вынужденных играть вообще а не на одну основную камеру как
случай и другой его проект The Slave 1964 неожиданно получил зеленый свет в то время как Castle Of Blood еще находился на стадии pre production История умалчивает обращался ли Корбуччи к патриархам Баве и Фреда но
он взял на роль Джулии В лесбийской сцене со Стил Маргарит наотрез отказалась целовать Барбару восклицая что никогда не сможет поцеловать женщину на что взбешенный Маргарити орал да просто
Корбуччи натурные сцены и тот будучи большим поклонником жанра с восторгом принял предложение Восторга Маргерити добавил и тот факт что тремя годами раньше в итальянском прокате большие деньги
Антонио Маргерити Antonio Margheriti До середины шестидесятых в итальянском хорроре было всего две суперзвезды Марио Бава и Рикардо Фреда
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Far removed from her haunting wide-eyed beauty in Mario Bava's wonderfully infamous Mask Of Satan (Black Sunday), Sergio Corbucci's Castle Of Blood and Ricardo Freda's The Terror Of Dr. Hitchcock, Steele (born, by the way, just down the ...
Castle of Blood (in Italy, «Danse Macabre») was directed by Itallion icon Antonio Margheriti, who made a name for himself with Sword and Sandle and Sci-fi films. In this movie, he created perhaps one of the best depraved listless ...